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December 2001
Cover Story
Incubus: Rocking on the Upbeat
By Jeff Perlah

Features
Hammonds and Wurlies and Clavs, Oh My!
BY NICK PECK

Let Them Be Cake
BY JON WIEDERHORN

Up Front
CAPTURED LIVE
BY MARK SMITH

IT HAPPENED THIS MONTH
Barry Cleveland

LOST AND FOUND
By David Simons

POP QUIZ

READ IT OR NOT
Barry Cleveland

SITE SEER
Chris Kelsey

THE BUZZ
By Jon Wiederhorn

Reviews
CROWN POWER-TECH 3.1
By Allen Lam

KORG TONEWORKS AX1500G
By Emile Menasché

SHURE AUXPANDER
By Karen Stackpole

YAMAHA EMX620/AS108 BUNDLE
By L. Max Taylor

Columns
BACKSTAGE: Home and Away
BY ROBERT L. DOERSCHUK

BANDWIDTH: Passing the Virtual Hat
BY CHRIS KELSEY

INDIE INK: Painting Daisies
BY DAVID SIMONS

MINDING YOUR BUSINESS: Three Roads to Take
BY DAVID HOOPER

Performance Tools
Performance TOOLS
BY BARRY CLEVELAND AND ED IVEY

Feedback
feedback

Editor's Note
Do It Your Way
Mike Levine Editor


Mixing Linkin Park: More with front-of-house engineer Brad Divens

Online Extras for December

 
Article
 
CAPTURED LIVE

BY MARK SMITH

Onstage, Dec 1, 2001
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James Brown Live at the Apollo, vol. 2, Deluxe Edition Polydor

A photo inside the liner notes for Live at the Apollo, vol. 2, shows a beaming James Brown standing beside a small airplane bearing two placards: “Mr. Dynamite” and “Soul Brother No. 1.”

Self-serving hyperbole? Not on your life, as this expanded reissue of Brown's classic June 1967 stint at the Apollo Theatre proves. From a searing 19-minute version of “It's a Man's Man's Man's World” to a nasty take on “Cold Sweat,” Brown whips the audience into a state of near hysteria.

The two-disc set's simmering grooves give a taste of the unholy funk that Brown would unleash upon the world in the following years. And to think, “Funky Drummer,” “Sex Machine,” and “Hot Pants” were still bubbling on Brown's back burner. Good God, y'all.
Rating (out of 5): 5

Phish Live Phish, vols. 1-6 Elektra
www.elektra.com; www.phish.com

Jerry Garcia once compared the Grateful Dead to licorice; the candy, like the Dead, spawned intense love or intense hate. Claimed Garcia, “People who like licorice really like licorice.”

That said, when Phish announced its plans to release a six-volume set of live performances, the band's dreadlocked masses must have writhed in groovy delight. Phish-heads may lament the jam band extraordinaire's hiatus, but they can at least take solace in hours upon endless hours of “Run Like an Antelope.”

Fans of Phish have no doubt already traded tapes of these performances and obsessed about them ad infinitum. Certainly, the band shows impressive chops; guitarist Trey Anastasio can make his guitar squawk and bark with the best of them. But Live Phish suffers from the ills that commonly plague jam bands — specifically, long drawn-out noodling that all but eclipses the songs.

But, hey, if you really like licorice, dig in.
Rating (out of 5): 2.5

To hear audio clips from these CDs, please go to ONLINE EXTRAS.



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