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November 2001
Cover Story
B.B. KING: IT'S GOOD TO BE KING
By Sean S. McDevitt

Features
EYEBALL to EYEBALL
By Gregory A. DeTogne

LOOK, MA, NO HANDS!: Using Backing Tracks Onstage
By Robert Hanson

Up Front
CAPTURED LIVE: Reviews of Live CDs by Galactic and The Dead Kennedys
By Mark Smith

IT HAPPENED THIS MONTH
By Barry Cleveland

LOST & FOUND: Mahogany Rush
By David Simons

POP QUIZ

READ IT OR NOT: A Review of Professional Sound Reinforcement Techniques, by Jim Yakabuski
Barry Cleveland

SITE SEER: Big Road Blues
By Chris Kelsey

THE BUZZ: Iggy Pops, Bizkit Sued, Megadeth Banned, and more...
By Jon Weiderhorn

Reviews
BOSS RC-20 LOOP STATION
By Barry Cleveland

MACKIE SR24-4 VLZ PRO
By Allen Lam

TC ELECTRONIC G-MAJOR
By Emile Menasché

Columns
BACKSTAGE: Pete Hits the Big Time
By Robert L. Doerschuk

BANDWIDTH: Streaming Web Audio With RealSystem
By Chris Kelsey

Performance Tools
PERFORMANCE TOOLS: Vox Valvetronix, Crest Audio XR-20, Etymonic Research Ear Plugs, and more...
By Ed Ivey

Feedback
Letters to Onstage

Editor's Note
In the Aftermath
Mike Levine Editor

Indie Ink
EVEN: An Aussie Band on a Mission.
By David Simons

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Features
COVER STORY:
INCUBUS: ROCKING ON THE UPBEAT
This past September, while the world almost literally fell down around them, Incubus played to heal. Lead singer Brandon Boyd and bassist Dirk Lance talk about their eclectic brand of rock, their newly released CD, and the facts of life on the road.
By Jeff Perlah
LET THEM BE CAKE
Imagine a band that would rather not tour, prefers books to booze, and cites both Sly and the Family Stone and Hank Williams Sr. as influences. That’s Cake. Band members John McCrea and Vince Di Fiore strip away the facade of rock stardom in an eye-opening interview.
By Jon Wiederhorn
HAMMONDS AND WURLIES AND CLAVS, OH MY!
Vintage electromechanical keyboards have seen a resurgence of late, as more and more players incorporate these beasts into their rigs. Though they provide the ultimate in authentic tone and feel, these classic instruments are more difficult to find, maintain, and (especially) carry than their digital siblings. Here is a road case full of advice if you’re thinking of gigging with a Hammond, a Wurlitzer, a Rhodes, or a Clavinet.
By Nick Peck

c o l u m n s
BACKSTAGE:
Home and Away
Being a successful touring musician doesn’t mean that you have to give up your family life. Just ask veteran jazz-bassist Avery Sharpe.
MINDING YOUR BUSINESS:
Three Roads to Take
Although recording for a major label offers the greatest potential, the indie-label and DIY approaches also have advantages.
BANDWIDTH:
Passing the Virtual Hat
Solicit online donations for your MP3s.
INDIE INK:
Painting Daisies
An all-female band from Edmonton, Alberta, makes noise in the USA.

r e v i e w s
SHURE AUXPANDER auxiliary bus expander
KORG TONEWORKS AX1500G modeling signal processor
YAMAHA EMX620/AS108 powered P.A. mixer/speakers bundle
CROWN POWER-TECH 3.1 stereo power amplifier

Plus….Up Front, Performance Tools, and more
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