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December 2001
Cover Story
Incubus: Rocking on the Upbeat
By Jeff Perlah

Features
Hammonds and Wurlies and Clavs, Oh My!
BY NICK PECK

Let Them Be Cake
BY JON WIEDERHORN

Up Front
CAPTURED LIVE
BY MARK SMITH

IT HAPPENED THIS MONTH
Barry Cleveland

LOST AND FOUND
By David Simons

POP QUIZ

READ IT OR NOT
Barry Cleveland

SITE SEER
Chris Kelsey

THE BUZZ
By Jon Wiederhorn

Reviews
CROWN POWER-TECH 3.1
By Allen Lam

KORG TONEWORKS AX1500G
By Emile Menasché

SHURE AUXPANDER
By Karen Stackpole

YAMAHA EMX620/AS108 BUNDLE
By L. Max Taylor

Columns
BACKSTAGE: Home and Away
BY ROBERT L. DOERSCHUK

BANDWIDTH: Passing the Virtual Hat
BY CHRIS KELSEY

INDIE INK: Painting Daisies
BY DAVID SIMONS

MINDING YOUR BUSINESS: Three Roads to Take
BY DAVID HOOPER

Performance Tools
Performance TOOLS
BY BARRY CLEVELAND AND ED IVEY

Feedback
feedback

Editor's Note
Do It Your Way
Mike Levine Editor


Mixing Linkin Park: More with front-of-house engineer Brad Divens

Online Extras for December

 
Article
 
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Barry Cleveland

Onstage, Dec 1, 2001
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By Brian Glasser
Sanctuary Publishing

www.sanctuarypublishing.com

In this extensively researched 335-page book, veteran music journalist Brian Glasser tells you pretty much everything you might want to know about Joe Zawinul and more. It traces the seminal keyboardist's life from his precocious childhood in World War II-era Vienna, through his pilgrimage to Harlem and the New York City jazz scene, to his founding role in Weather Report, and eventually to his current work with the Zawinul Syndicate. Zawinul's nine-year stint with Cannonball Adderley and his contributions to Miles Davis's recordings — as well as his interactions with Wayne Shorter, Jaco Pastorius, and the other members of Weather Report — are covered in detail.

Glasser gathers facts and anecdotal stories from lots of sources and intersperses them with Zawinul's own notoriously elastic recollections. Sections also deal with specific recordings, and a detailed companion discography helps you find them should you wish to listen as you read. The book is thoroughly enjoyable and engaging, and if you are a Zawinul fan or simply interested in the history of jazz, you probably will appreciate it too.



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