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November 2002
Cover Story
 Travel Light!
By Jon Chappell

Features
The Mighty Mighty Bosstones: Dapper and Dangerous
BY ROBERT L. DOERSCHUK

The Show Must Go On
By Pat Kirtley

Up Front
CAPTURED LIVE
BY MARK SMITH

IT HAPPENED THIS MONTH
Chris Kelsey

LOST AND FOUND: Grandmaster Flash
Dave Simons

POP QUIZ

READ IT OR NOT: The Real Deal
Mike Levine

SITE SEER: Ricci Adam's MusicTheory.net
Mike Levine

The Buzz
By Jon Wiederhorn

Reviews
LINE 6 ECHO PRO
By Jon Chappell

Qick Take: Gibson M-6
By Gino Robair

Quick Take: Aphex Model 204
By Tim O'Leary

ROGER LINN DESIGN ADRENALINN
By Mike Levine

ROLAND V-BASS
By Emile Menasché

WHITNEY DRUMS NESTING PENGUIN
By Karen Stackpole

Columns
INDIE INK: Emma Gibbs Band: Jammin' in the country.
BY DAVID SIMONS

Departments
PERFORMANCE TOOLS
BY MARTY CUTLER

Editor's Note
Ease Your Burden
Mike Levine, Editor

Backstage
Straight Talk from Band Bookers
BY ROBERT L. DOERSCHUK


Online Extras for November / December 2002

 
Article
 
READ IT OR NOT: The Real Deal

Mike Levine

Onstage, Nov 1, 2002
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By Daylle Deanna Schwartz
Billboard Books

www.billboard.com

For musicians seeking a record deal (and what musician isn't?), The Real Deal is an important resource, offering an impressive amount of advice about the music business in general and how to get signed in particular. Originally published in 1997, The Real Deal has been updated and expanded and now offers more information than ever.

The book covers a lot of territory. Author Daylle Deanna Schwartz describes issues such as the roles of managers, agents, and attorneys; how to prepare a promotional package and demo; the right way to approach an A&R representative; and how to build a street team. Schwartz also demystifies such frequently confusing elements of a record deal as terms of commitment and points and royalties. She also explains the often misunderstood issue of publishing rights. (Do you know the difference between mechanical, performance, and synchronization royalties?)

The author backs up her points with quotes by (and Q&A sections with) countless musicians, agents, record executives, and others with an intimate knowledge of the business.

Getting a record deal is never easy, but Schwartz makes your sailing a little bit smoother with her well-written, informative book.



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