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March 2003
Cover Story
Wireless on a Budget
BY JON CHAPPELL

Features
Derek Trucks Takes on the World
BY MIKE LEVINE

Not Just for Folk Singers
BY EMILE MENASCHÉ

Up Front
CAPTURED LIVE: The Complete Miles Davis at Montreux 1973-1991
BY MARK SMITH

IT HAPPENED THIS MONTH
BY CHRIS KELSEY

ONSTAGE WITH...Uncle Kracker's bassist-producer, Mike Bradford
BY MIKE LEVINE

THE BUZZ
BY JON WIEDERHORN

Reviews
DigiTech RP50
By Mike Levine

KORG SP-200
By Nick Peck

SHURE PSM 200
By Barry Rudolph

SWR Baby Baby Blue
By Ed Ivey

Columns
INDIE INK: Green Rode Shotgun
BY DAVID SIMONS

Steve Earle Stirs It Up
BY ROBERT L. DOERSCHUK

Departments
Performance TOOLS
BY MARTY CUTLER

Editor's Note
It's the Music
Mike Levine, Editor

 
Article
 
SWR Baby Baby Blue

By Ed Ivey

Onstage, Mar 1, 2003
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SWR's penchant for reducing the size of its bass amps is again manifest with the new Baby Baby Blue ($1,099). The Baby Baby Blue is a versatile, well-appointed combo aimed at working players who prize small gear but demand professional features.

The amp packs 120 watts into a 39-pound package and offers just about everything you need for session and small-club work. And the Baby Baby Blue's portability allows you to get it into your import car's trunk without a wrestling degree.

FAMILY TIES

The Baby Baby Blue's predecessor, the Baby Blue combo, sports twin 8-inch drivers, a tweeter, a 160-watt power section, and a 12AX7A preamp tube — a combination that immediately garnered high-profile users and great reviews when it came out in the early 1990s. The amplifier's 3-band semiparametric EQ and clean direct output received raves from players and engineers alike, but at 45 pounds and more than two feet tall, the original Baby Blue was a handful for a musician on the move.

The Baby Baby Blue is only 19 inches tall and is just as rugged and stage worthy as its bigger brother. It also includes a 3-band semiparametric EQ, but adds a 16-gauge steel grill; a no-nonsense slant-top design, which offers protection for the knobs; and a thick, carpeted covering. Best of all, the Baby Baby Blue is a snap to carry with one hand and is powerful enough for most workaday recording and gigging needs.

COMPLETE CONTROL

The Baby Baby Blue's features include SWR's Aural Enhancer variable-tone circuitry, a low-noise sidechain effects loop, an XLR output with an innovative combination variable pad/ground lift pot, headphone and tuner outputs, and an effects bypass switch. The newly designed cabinet features a 1×10 PAS speaker, a Le Son piezo tweeter, and a retractable handle on the bottom that can be used for tilting the unit when it's onstage and for lifting the amp with two hands.

I used the Baby Baby Blue at dozens of gigs with top-grade results, not only on bass, but also on acoustic guitar, keyboard, and mandolin. The EQ section was precise and dependable, and the amp's effects loop made using my effects a breeze. In particular, my string bass sounded robust and full through the Baby Baby Blue, partly because the tweeter added sparkle to the high end (sometimes even a bit too much). By following the instructions in the amp's manual and using the EQ, I was able to minimize feedback while maximizing the volume.

But in some cases, the Baby Baby Blue was just shy of being loud enough to handle a large room without requiring me to send a balanced output to the front-of-house system. In situations that had noisy crowds, I added an extension speaker, which negated the reason for having a small combo in the first place. However, the Baby Baby Blue sounded great with a 2×12 extension cabinet. And, with its low weight and array of features, it's still the handiest bass amp under 50 pounds that I've encountered.

I found a few of the amp's design aspects to be annoying. For example, SWR placed both the tweeter-attenuation switch and the speaker-defeat switch on the back of the amp, but they aren't sufficiently recessed: simply carrying the amp can be enough to disturb the positions of the switches. At one gig, I kept wondering why the amp seemed so anemic. I eventually discovered that the internal speaker's switch had been knocked into the Off position when the combo was being moved, and I was running only through the house system.

In addition, the internal speaker output has a semipermanent plug in it, which prevents the user from unplugging it and using both speaker outputs for extension cabinets. I would have liked to have had that option.

UP AND RUNNING

Night after night, this amp delivered great sound and was very easy to haul around. That means a lot to a working bassist.

The SWR Baby Baby Blue seems like a good value for the professional player who understands the importance of portability and will take full advantage of the amp's features. SWR has developed a strong reputation for producing quality bass amps, and this little amp upholds the family tradition just fine.

Rating (out of 5): 4

SWR Sound Corporation; tel. (818) 253-4797; Web www.swrsound.com.



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